CAD CAD-GXL2200 Microphone - Condenser Large diaphragm cardioid condenser microphone for recording, broadcast and sound reinforcement

CAD Audio Large diaphragm cardioid condenser microphone for recording, broadcast and sound reinforcement

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What's in the box:

CAD GXL2200 Cardioid Condenser Microphone (Silver)
Elastic Shock Mount
Protective Pouch
Limited 2-Year Warranty

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Retail Price: ^$139^.00
Save 28%: −$39.01
CCI Price: $99.99

*Due to the global microchip shortage and related shipping issues, many items are experiencing fulfillment delays. Please contact us for up-to-date availability.: Call 800-562-6006 for Availability

Item Number: CAD-GXL2200
Vendor Part

Description Application Specifications

The GXL2200 by CAD Audio is a large diameter, fixed cardioid pattern, condenser microphone for recording, broadcast and sound reinforcement, including vocal and instrument applications. Microphone features a 1" gold vapor deposited diaphragm capsule and requires standard 48 Volt phantom power. Includes a removeable swivel mount that fits any 5/8" x 27 threaded microphone stand.

Features

Externally biased true condenser
Unidirectional (cardioid) polar pattern
30 Hz - 20 kHz frequency response
Less than 200 ohms impedance:
Less than 20dB (A-weighted) equivalent noise level
Matte black finish
Positive diaphragm pressure produces a positive voltage on pin 2 with respect to pin 3
Weighs 14.1 oz. (400 grams), Mic only

Applications for the CAD CAD-GXL2200

Choir Microphone
- Mount the mics on tall boom stands in front of the choir. This always works best with a stage riser. Use 3 or 4 GXL2200 for a small to mid sized choir of 12 to 24 members. See more about miking a choir.
Acoustic Guitar Microphone
- Mount the GXL2200 on a boom stand and position @ the 12th fret and aim back toward the sound hole. You may need to use an equalizer to remove some of the low mid frequencies to taste and watch the gain if using live.
Drum Overhead Microphones
- Mount (2) GXL 2200 microphones on (2) boom stands in front of the drum set aim down toward the left and right front of the kit. Try to get as high above the kit as possible to even out the different distances of the cymbals, toms and even the snare that will end up in the overheads. Remember the overhead mics are the most critical drum mics in the mix if used correctly.
Small Vocal Ensemble Microphone/s
- Mount (1) C3000B for mono or (2) for stereo (or more mono coverage) on stands in front of the group.
Ambiance Microphones
- Mount (1) GXL 2200 for mono or (2) for stereo (or more mono coverage) on short stands on stage/platform aimed at the audience/congregation. This is a great way to get the sound of the room into the in-ear monitor system. See more here about ambient mics in this in-ear article. If you don't have an in ear monitor system - See more about in ear monitor systems here.

Resources for these microphone applications: Stereo Microphone Techniques • The Basic Basics of Microphone Basics • The Basic Basics of Microphone Basics Part II

Specifications for the CAD CAD-GXL2200

{ "Operating Principle" : "Externally-biased condenser", "Polar Pattern" : "Cardioid", "Frequency Response" : "30 Hz - 20 kHz", "Sensitivity" : "-36 dBV (16 mV) @ 1 Pa", "Impedance" : "75 Ohms", "Max SPL" : "130 dB, 1% THD", "Self Noise" : "20 dBA", "Power Requirements" : "P48, 3 mA" }

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